1987: David begins editing his super 8 and 16 mm film “Fire in My Belly” in color and black & white. He repeatedly dissembles and edits it back together, never finishing it.
In 2010, the unfinished film (edited down to 4 minutes) is controversially removed from the exhibition “Hide/Seek: Difference and Desire in American Portraiture” at the Smithsonian’s National Portrait Gallery in Washington D.C. after being criticized as being anti-Catholic by the president of the Catholic League. Protests erupt and The New York Times Art Critic, Holland Cotter, writes a thoughtful analysis of the film including the explanation:
“That A Fire in My Belly is about spirituality, and about AIDS, is beyond doubt. To those caught up in the crisis, the worst years of the epidemic were like an extended Day of the Dead, a time of skulls and candles, corruption with promise of resurrection. Wojnarowicz was profoundly angry at a government that barely acknowledged the epidemic and at political forces that he believed used AIDS, and the art created in response, to demonize homosexuals.”
“Fire in My Belly: Work in Progress,” 1986-7. color and Black and White, 8 and 16mm film. Courtesy of The David Wojnarowicz Papers in The Downtown Collection, Fales Library & Special Collections, New York University.